The problem with most CD reviews is you only
get the opinion of the one critic doing the review. So we thought it might
be fun to try something new here by giving the exact same CD to two different
critics (or more) and see what they each come up with and just how much
difference a single critic's opinion can make.
Note: due to the nature of this series, the reviews
may tend to be more in the first person than you are used to with music
criticism.
It took a while to get Scott Slapp off
his ass to turn in this review, but after his reaction to it and Hobo’s
I knew we needed to run both in our “Tag Team” series because the two polar
opposite reactions perfectly illustrates that concept of “to each their
own” and also inherent the strength and weakness of musical criticism.
Read on to see how Scott and Hobo viewed the CD, click over and listen
to the samples and then post your reaction and who you most agree with
in the Fan Speak section. Should be interesting to see how things line
up. – ed
Puddle
of Mudd – Life On Display
Label: Geffen
Records
Tracks:
Away From Me
Heel Over Head
Nothing Left To Lose
Change My Mind
Spin You Around
Already Gone
Think
Cloud 9
Bottom
Freak Of The World
Sydney
Time Flies
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Scott Slapp's review - he gave it a
rating of
You don’t get a second chance at a first
impression. That is true unless you happen to know our editor.
A few weeks back he played a little trick
on me. He handed me a CDR and asked me to listen to it and tell him what
I thought. So I gave it a spin and thought, “hey, this is pretty good.”
So the next day I asked him who the band was and when he told me “it’s
Puddle of Mudd”, I was a little shocked.
Before this my only real exposure to the
group was when I was flipping channels one day and came across their video
for “Control” and hearing that silly line “I love the way you smack my
ass”. I wasn’t impressed and a few days latter I found out there was a
Fred Durst connection and thought “that figures” and I more or less wrote
them off.
Fast forward to the present and this new
CD, “Life On Display”. The opening track “Away From Me” immediately grabbed
my attention. I grew up with Alice in Chains and Nirvana as my sonic idols
and this song seemed to strike a balance between the two.
I’m not one of those that automatically
hates a band just because they are derivative. I know some people feel
that way, but if I like the original and if a good clone comes along why
should I not like it? When it’s a far inferior copy, then there is a problem
but almost every artist borrows from someone that came before them.
Puddle of Mudd aren’t exactly a killer
copy of either AIC or Nirvana but they are better than most and since we
won’t be getting new music from either group, it’s cool that POM is filling
the void somewhat. I know some will see that as heresy, but it’s how I
see it.
“Life on Display” starts out real strong
with “Away From Me” from the opening guitar lines to the Nirvana meets
AIC verses and choruses. It’s a killer way to kick off a CD. Although some
of the lyrics border on the lame.
“Heel Over Head” is a strong follow up
and has a far more original sound. “Nothing Left To Lose” opens with a
cool fuzz guitar lead and then kicks in with nu-metal riffage. They enter
ballad territory with “Change My Mind”, a song that grows on you after
a few listens.
“Spin You Around” displays probably the
best songwriting on this CD but Wes overdoes it a bit with the accent in
his vocals. “Already Gone” is a Nirvana like rockers and the closest POM
comes to capturing that energy. “Think” is a cool mid tempo song with a
hooky chorus. “Cloud 9” kicks it back into high gear and has some of the
best lead guitar lines of the disc and once of the most experimental songs
on the disc with POM appearing to try their hand at “nu garage”.
“Bottom” reaches into the greatest AIC
copiers Godsmack territory with it tribal beats but the vocals come out
more like Faith No More and is one of the tracks you should definitely
listen to if you’ve only been exposed to the singles from this group. It
will give you a different perspective of them.
“Freak of the World” is a righteous rocker
that gets in your face. “Sydney” is POM’s best exploration into the AIC
sound, a band that was much more mid-tempo than the grungers that came
after. The accent used by Wes, works perfectly in this tune.
“Time Fly” kicks off as more or less and
extension of “Sydney”, and again shows us that the group has more substance
that a lot of people give them credit for. I for one fell into that camp.
As far as sophomore albums go, there is no slump here. POM have redeemed
themselves in my opinionated eyes and I think they are definitely worth
a second listen from those readers that may have felt the same way about
the group one first listen. It was those last four tunes that kicked this
CD up in my opinion from 3 stars to 4, so that’s a good place to start
if you dare to give them a second chance.
(Sorry it took so long to get this out.
The soap opera that is my life delayed things a bit. Better late than never!)
Hobo's Review - He gave it a Rating
of
After Puddle Of
Mudds highly successful (and surprisingly listenable) album Come Clean
comes the bands sophomore effort Life On Display.
Surely you wonder
as much as me, ‘can the band possibly maintain the quality of songwriting
established in the first album? Or are they doomed to miss the mark, slipping
slowly into the realm of inconsequential one hit wonders?’ Well, lets wait
no longer and find out.
What becomes obvious
after a few spins of the disc is the reuse of melodies from the last album.
Some songs sound hauntingly similar to ones past, while others fail completely
to deliver what the #1 Nirvana clones promise. At the end of it, the entire
album can be classified as ‘the same crap’ – with each song slowly melding
to become one, horribly bland super-song. We start with Away From Me, the
fairly stock-standard first single from the album, boasting average songwriting
coupled with a catchy little ditty, perfect for trying to suck in mallcore
kids for quick sales.
Next comes Head Over
Heels a song that can be summarized in four words; ‘soft, s***ty, and uninspired.’
The track Nothing Left To Lose represents a derivative attempt at heaviness-through-downtuning.
The god-awful solo mid-way through illustrates why lead lines are few and
far between on the album – the musicians suck. The song Change My Mind
again hits a softer note in a mediocre progressive peak that is almost
passable.
Then comes Spin You
Round, starting off as a catchy little track, but minutes later it becomes
monotonous and overdone. In Already Gone Wes screams ‘I wanna dance with
the devil, yea’ – songwriting is obviously something to be desired on this
album. Again the constant use of powerless downtuned guitars just weakens
songs and exposes the ‘Avril Element’ of the band – be that an attempt
to appear different from what they truly are. Think is what I like to call
a ‘wanker ballad’ – soft, whiney and predictable as hell. Cloud 9 is simply
abysmal and Freak Of The World is just another melodramatic vent for Wes’
boring, self-inflicted, depressive crap.
It seems like Puddle
Of Mudd fail to live up to expectations. The clever riffs and hooks from
Come Clean are long gone – and it would seem without them, Puddle Of Mudd
are little more than another trendy grunge rock band and self proclaimed
‘freaks of the world,’ stuck in the world of shallow popular music where
bands come and go like sleazy old men at the local brothel.
As one clever little
ex-fan muttered, ‘this is a Puddle Of Crap.’ Puddle of Mudd’s time is up
already. If this is Wes’ life on display, then hell… that’s one boring,
monotonous, crappy life. Be thankful I didn't have enough energy to be
angry.
Listen
to samples and Purchase this CD online
Check
out the official Puddle of Mudd player to preview the CD
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