The problem with most CD reviews is you only
get the opinion of the one critic doing the review. So we thought it might
be fun to try something new here by giving the exact same CD to two different
critics (or more) and see what they each come up with and just how much
difference a single critic's opinion can make.
This time around The Hobo and antiGUY give
us their impressions of the new album from Adema.
Note: due to the nature of this series, the reviews
may tend to be more in the first person than you are used to with music
criticism.
Adema
– Unstable
Label: Arista
Tracks:
Co-Dependant
Rip The Heart Out Of Me
Stand Up
Unstable
Promises
Blame Me
So Fortunate
Stressin’ Out
Do You Hear Me
Let Go
Betrayed Me
Needles |
The Hobo's review - he gave it a rating
of:
What an uninspiring, boring, sterile and
generic album. When our dear friend Scott Slapp grinded the band’s EP “Insomniac’s
Dream”, I though it somewhat harsh. I briefly remembered hearing an Adema
song months back, and while it rather bad, I did not think it warranted
the flaming Slapp delivered (with, may I say, great finesse and flair).
But I was wrong. So damn, damn wrong.
“You have lost control
and crashed into a wall,
goto bed dead, goto bed dead”
Such are the amazingly insightful plunges
deep into mankind’s clouded heart of darkness. Marky’s pathetically shallow,
repetitive and base droning about his significant other grow old with a
speed of such intensity, that the boredom itself breaks the speed of light,
hence opening up a time warp of such power, that your very soul grows tired
of its timeless existence.
The lyrics are pathetic. The guitar work
exceeds the monotony and simplicity found in the disgraceful collection
of popular punk bands.
Marky’s voice itself is devoid of any interest
or talent. Of special note is the single ‘Unstable’, which provides an
apt dichotomy of the pitiful content of the album; at which I am deeply
saddened I was asked to review. To end off the single Marky screeches,
“you’re so unstable” over and over again. On the track immediately successive
(a horrifyingly bad ballad) Marky ends the song repeating; “you’re so played
out” in the exact – same – tone. These people test me.
At times Adema sounds like Korn, minus
any talent or originality, others like a skin puppet pop rock band. In
any case, I weep for anyone unfortunate enough to hear this album. This
album is just like a horrifyingly brutal and gory car crash – you know
you don’t want to see it the dismembered limbs and assorted giblets, but
you can’t avoid slowing down to examine the flaming wreckage. My advice
to anyone curious about Adema is to save themselves the mental anguish
and effort involved. It’s so bad I have considered placing out a public
offer of $11,000 for anyone who brings me Marky Chavez’s spine.
Worst album of the year.
antiGUY's Review - He gave it a Rating
of
I wasn’t too impressed
with Adema’s debut album. It was just one of those releases where the songs
didn’t grab me and it sounded a bit too engineered towards making sales.
My opinion of the group went up a few notches after I saw them live on
the Music as a Weapon tour. The songs translated so much better live. It
wasn’t just that there was more power behind them but on the disc is did
seem like the band held back quite a bit, either that or the music was
simply over produced.
While they did get
my attention with their live show, when I tried to relisten to their debut,
my opinion of the disc still held firm. The songwriting just wasn’t that
imaginative. The musicianship was pretty good, considering the genre of
music, but the songwriting as whole seemed pretty generic. I was hoping
they would put their best foot forward on their next release.
Sadly, “Insomniac's
Dream EP” fell short as well. In fact, in some ways it was a step backwards.
But the group’s growing legions of fans ate it up and at the end of the
day, it’s not what critics think but what the kids that buy the music think
that counts, if you’re looking at the bottom line.
Now we come to the
group’s sophomore album, “Unstable”, and I have to say after a few spins
that I was impressed on how much the group has grown in the songwriting
department. There are some solid musical moments on here. ‘Co-dependant’,
‘Stand Up’, and ‘Betray Me ‘are compelling nu-metal songs with big choruses.
‘Blame Me’ is another standout with it’s heavy to light dynamics. The big
surprise comes with the two ballads, “Promises” and “Let Go”. These songs
show the group’s real potential if they step outside of the box for a moment
and try something new. Although, put neck in neck against each other,
“Promises’ is the clear winner. “Let Go,” could have been a much stronger
song if the lyrics weren’t so repetitive.
That's the group's
biggest weakness; the lyrics and repetitiveness. If you pay attention to
the lyrics then Marky just may go down as Nu Metal's answer to Missy Elliot.
For the most part,
the nu-metal riffing is predictable but Adema do deliver in the melody
department. Marky’s lyrics are still a bit insipid and he’s a really bad
tendency to beat a line into the ground, but he’s getting better.
Will Adema still
be around in ten years? Given the recent history of the music industry,
that’s up for debate but when it came time to deliver a stronger album
than their debut, Adema did accomplish the task.
Listen
to samples and Purchase this CD online
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