"The Seraphic Clockwork", a concept album, sounds more multi-layered, progressive and metal-oriented than any previous Vanden Plas release. "I think that my penchant for music of the tougher persuasion shines through more than ever before on this album," comments guitarist Stephan Lill, who – together with keyboardist Günter Werno and vocalist Andy Kuntz – make up the group's creative triumvirate. He adds: "Hard riffs, elaborate keyboard and orchestral arrangements plus catchy hooklines come together in a perfect symbiosis which marks Vanden Plas' own style. I feel that we were much more adventurous on with The Seraphic Clockwork than ever before."

A perfect example which substantiates this statement, is the 13-minute track 'On My Way To Jerusalem', a little masterpiece within a homogeneous, self-contained album. The song takes the listener on a haunting, adventurous journey which comes full circle musically towards its end. From soaring piano sounds through hard riffs and versatile arrangements to atmospheric parts, the whole range of expressive forms which the Progressive Metal genre has to offer are present. On the other hand, 'Heal The World' with its melodic intro, subsequent heavy riff and catchy chorus, reveals the band's affinity to theatre music and all its complexity, and is classic Vanden Plas.