It was 44 years ago today in 1966 when The Beatles' Revolver started a seven-week run at #1 on the U.K. charts. It spent a total of 34 weeks on the U.K. chart and was also a U.S. #1. Gibson has an in-depth look back on this momentous anniversary: The Beatles' recorded output remains staggering to this day. When the band released Revolver in August 1966, it was their seventh LP in just over three years (not to mention the scores of singles released during that time that did not appear on their British albums). Beyond mere volume, the band broke ground for all of popular music with nearly every release, adding elements of folk, classical, Indian and other new strands of music to the core material of rock and roll, namely R&B and country. Of all the band's records, perhaps no album took a longer leap forward than the album that was nearly titled Beatles on Safari.
When the group entered the studio that April, they were between grueling tours. In fact, the tour that would follow the recording of Revolver would indeed be the band's last. But tired as they were of deafening (and non-listening) crowds and hotel room imprisonment, the band was as vitalized as ever when it came time to record. They were eager to experiment with produced sound to the point that they no longer took into consideration whether a recording was even possible to reproduce live on stage. This was certainly the case with the sound effects on "Yellow Submarine" and the backward guitar tracks on "I'm Only Sleeping." Likewise, the band employed ornate orchestration on "Eleanor Rigby," as well as soulful horns on "Got to Get You into My Life" and tabla, sitar and tambura on George Harrison's "Love You To." And on the album closer, "Tomorrow Never Knows," the band and production team threw everything from tape loops to untried (and illegal with Abbey Road policy pushers) mic placement and speaker employment in order to get the otherworldly sound that blew the minds of so many in the rapidly growing psychedelic scene. - more on this story
