The album will be issued via UK label Monotreme Records (65Daysofstatic, Thee More Shallows) in a deluxe package with a 96-page full-color booklet illustrating an epic tale of an otherworldly robot and his quest for self-identity

N.A.M.B.'s heavy-leaning, electronic psychedelic sound elicits comparisons to the Flaming Lips, Muse, Girls Against Boys, et al.

N.A.M.B. is a band from Turin, Italy. Ask them what the initials stand for, and you will probably get a different answer every time. Visit their Myspace page one day, and you might see the caption “Nascere Artisti Morire Buffoni” (“Born Artists, Die Clowns”), but the following day it could be something entirely different, like “Neuroni Annoiati Masticano Boiate” (“Bothered Neurons Chew Rubbish”)

One thing we do know for certain: their second album, BMAN, is a magnificent sonic adventure, with a psychedelic flair reminiscent of The Flaming Lips, dynamics and industrial elements á la Nine Inch Nails, massive stadium-friendly tunes and, beating underneath it all, a big heart of soulful pop.

N.A.M.B.’s self-titled debut album Mescal was released in 2005 in Italy. The album was mostly sung in Italian, and won the band a good following in Italy, where they shared stages with international touring bands including Fantomas, Blonde Redhead, Michael Franti, Spoon and Chikinki.
In November 2006, work began on their sophomore album, BMAN -- an ambitious, multi-layered odyssey about a little robot called BMAN. For this album, the lyrics were written mostly in English. The album was produced by N.A.M.B in their own Superbudda studio, and mastered in London, UK by Bunt Stafford Clark (Thom Yorke, Graham Coxon, Elbow, Placebo, Jesus and Mary Chain). Accompanying the CD album is a 96-page booklet of original drawings by Maq4ka, illustrating the story of BMAN, with additional drawings by Gabriele Ottino.