with
36 Crazyfists - A Snow
Capped Romance
by
Mark Hensch
..
Before you read this review, take maybe
ten seconds to ask yourself one question: Have you ever been to Anchorage,
Alaska? Regardless of your own personal answer, most readers will
most likely respond with a "no." Anchorage natives 36 Crazyfists
would like to hear the word "no" more then "yes."
The band attributes its strange and fresh
style of music to geographical isolation, and with good reason too; there
are few bands that sound like this.
Whenever a new artist needs to be reviewed
here at antiMUSIC.com, the band's album is posted with a genre to help
each individual reviewer choose an album that will match their musical
tastes more closely. When I was deciding what band to review for
this article, I wanted to do something odd for me, and I saw 36 Crazyfists
labeled simply as "nu-metal." Now normally the phrase nu-metal would
make my brain become overwhelmed with personal bias and refuse to pay the
band the nicety of a listen or two. Upon hearing 36 Crazyfists, I
was blown away and will never judge a so-called "nu-metal" band again;
Crazyfists possess a remarkable amount of talent and style that is not
generic nu-metal, and maybe not nu-metal at all. Picture a molotov
cocktail made from a slightly altered voice of Glassjaw frontman Daryl
Palumbo, elephant stomp guitar riffs, enticing and melodic hardcore screams,
tight drumming, and old school metal guitar solos (at times) and stir nicely.
Light it with a flame of passion intense enough to melt the snows of Mt.
McKinnley (the tallest mountain in both Alaska and the U.S.) and you've
got 36 Crazyfists.
The band formed in 1994, but didn't really
make much of a splash in the continental U.S. music scene until relocating
to Portland, Oregon and releasing Bitterness the Star in 2002.
With the release of A Snow Capped Romance, the band intends to further
define their unusual sound and it sounds to me like they know what they
are doing.
"At the End of August" simmers into
a taunting riff and a nice drumbeat before lead singer Brock Lindow speaks
a creepy little interlude under voice distortion. Next, this song
(apparently bemoaning a fading friendship) is peppered with hardcore-worthy
screams and Glassjaw-worthy soaring vocals, before closing with some sweet
driving riffs. Guitarist Steve Holt shines on "The Heart and the
Shape," his old-school metal notes busting out before a System of A Down
worthy riff infused with squealing metal strings. Lindow pulls an
alternating wavering Glassjaw falsetto and hardcore screams that is strangely
effective over the power riffs backing his vocals.
"Bloodwork" finds Holt playing a creeper
riff before bursting with some old metal jams and Lindow somehow takes
the Glassjaw voice and makes it almost Mars-Voltan during the chorus.
"Kenai" shrieks in with some major feedback, and then another set of chugging
SOAD riffs and hardcore screams that spread homesickness like an actual
disease as the band talks about missing Alaska (or do they?!). By
its powerful end, the song is back with the wailing feedback from the start.
"Skin and Atmosphere" is a more laid-back
song with a fuzzy guitar background allowing Lindow to sit back and vocally
coast. The cascading chorus and interludes have Holt experimenting
with some watery guitar effects. Towards the end more SOAD riffs
and metal notes flourish in harmony, and drummer Thomas Noonan keeps his
mellow to quick drumming nicely in check. "Song for the Fisherman"
is a short clean guitar and Linkin Parkish soul-search the album could
have done without.
"With Nothing Underneath" is loaded with
steady drumming and bass (by Mick Whitney the bassist), solid guitar (with
a some nice clean parts) and the vocals are soaring and screaming all over
again. "Destroy the Map" is a radio friendly soft rock jam.
The strange vocal stylings of Brock make the clean to distorted guitar
parts mesh well, and this is a more laid-back track. "Installing
the Catheter" starts with ominous notes into a quasi metal riff before
switching back again.
The vocals on this song again alternate
between radio friendly hard rock and underground hardcore acts. Some
female guest vocals spoken over a airy set of guitar notes next erupts
into a rapid-fire drum beat and solid metal riffs and a powerful rendition
of the chorus, making this song seem a little fresher towards the end of
the album then the last two songs. "Cure Eclipse" is a solid Nu-Core
fusion song that should please most fans of heavier music, yet is still
accessible to their more mainstream friends, and Brock still finds new
ways to alter his abnormal vocals on the song's verses. "Waterhaul"
has a beautiful, watery guitar start that invokes images of thawing rivers,
and then chugging riffs blast out full force with some nice start-stop
drum beats. This is an excellent close to the album, and it vaguely
reminds me a little of Tool's radio stuff for some reason.
Call it geographical isolation, or
call it unbridled artistic vision. This CD is wicked fun, and this
comes from someone who normally laughs at the worthless stylings of radio-friendly
nu-metal acts, opting instead to listen to bands like Shadows Fall or Avenged
Sevenfold. Though not ungodly in its technical guitar pieces, the
metal riffs are tight, exciting, and oddly invigorating. The drums
and bass are adequate, but not spectacular. The thing that caps this
album's place in my CD tower for me however is the vocals. Strange,
familiar, yet wholly unique, Brock Lindow's voice is odd and a true blessing
for a band that has typically not been able to be heard due to location.
I highly recommend this CD, and its well worth it; these Alaskans are thawing
out the dying genre that is "nu-metal."
CD Info and Links
36 Crazyfists - A Snow Capped Romance
Label: Roadrunner
Records
Rating:
Tracks:
1. At the End of August
2. The Heart and The Shape
3. Bloodwork
4. Kenai
5. Skin and Atmosphere
6. Song for the Fisherman
7. With Nothing Underneath
8. Destroy the Map
9. Installing the Catheter
10. Cure Eclipse
11. Waterhaul
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Listen
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CD Info and Links
Listen
to Samples and Purchase This CD online
Visit
the official website for more on the band and their new CD!
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