by antiGUY
Part of this article was
originally published as a CD review last month. For this feature I expanded
upon that review and included some history and also explore the "live"
Handsome Devil experience. For those who already count themselves
as Handsome Devil fans I hope you enjoy the article. For those who have
yet to partake of the Handsome Devil musical magic you will discover what
it was about this band that caught our attention here at antiMUSIC and
made them Artist of the Month. -aG
Handsome Devil is the latest band to emerge
out of the Orange County, California music scene. While Orange County is
an upper middle class suburban sprawl of track
homes, strip malls, freeways filled with SUV’s and BMW’s as well as the
home of Disneyland, it’s spawned more than it’s fair share of rock stars
including The Offspring, Lit, Sugar Ray, Zebrahead, No Doubt and punk legends
Social Distortion.
Musically Handsome Devil is what you get
if you mixed The Offspring with Lit and The Living End. While posers like
Blink-182 have given the burgeoning punk-pop scene a bad name, Handsome
Devil seem poised to rescue the genre from the over popification it has received
from the likes of Blink-182. Handsome Devil does deliver some power-pop
driven melodies but their music has a punky hard edge that distinguishes
the band from other bands that blend power-pop and punk. They follow
more in the tradition of All then Greenday, with a firm focus on punk while
still managing to present enough hooks to make the music a shoe-in for
top40 radio airplay.
You hear tales of overnight success stories
in the music business, most times these stories involve a band that had
been breaking their butts on the club scene for years
before they got their shot at the big leagues. Not so with Handsome Devil.
Only seven months passed between the time of their inception and them signing
on the dotted line with Dirty Martini/RCA Records. From the very start
they began to generate a buzz on the local Orange County scene, gaining
the attention of O.C. veterans like No Doubt and Social Distortion. But
it was when Jeremy Popoff of Lit heard the band they began their meteoric
rise to stardom. "The first time I heard this band, I was blown away,"
says Jeremy. "I told Danny that we had to work together."
Once Jeremy got off the road with Lit the ball began rolling and within
no time he had signed the group
to Lit’s RCA in-print Dirty Martini Records and entered the studio with
the band where he co-produced their debut album with Ed Stasium (Ramones,
Smithereens.)
Together they struck gold, as this CD is
a collection of songs just crying out to become hits. While there isn’t
a “filler” track in the bunch some songs are more equal than others with
standouts including “Sorry Charlie”, “Tie Me Up”, “Everything”, “Back in
Action” and “Barbecue”. Then again, I’ve listened to this disc a couple
dozen times so far and have yet to push the fast-forward button. In other
words, it’s all good.
To truly appreciate Handsome Devil you
really have to see them in action in front of an audience. I was on hand
recently at the legendary Roxy Theatre in Hollywood
where Handsome Devil opened up for their friends and mentors Lit. From
the first moment lead vocalist/guitarist Danny Walker walked on stage with
his cohorts it was sure pandemonium. Keith Morgan attacked the drums with
a savage intensity yet he never missed a beat. Billie Stevens held dominance
over his side of the stage as he rocked through the set with arms wailing
on his six-string. Darren Roberts on stage doesn’t appear content with
the typical “in the background” stance most bass player take, he worked
the audience to full effect during every song. Playing live they do have
a much finer focus on their punk roots than on the CD and that translates
into an explosive high-energy performance from the
band. They have no need for pyrotechnics or fancy stage props; they held
the standing room only audience captive with their performance
and music. Which is really quite amazing considering that their album had
only been released a few days before, so it is safe to bet that at least
half of the audience had never heard them before, but that didn’t stop
Handsome Devil from making the room rock from top to bottom. Surely, they
walked away with quite a few newfound fans that night.
Ah but let's get back to the album.
“We knew what we were aiming for," says
frontman Danny Walker. "We wanted our record to sound huge and, at the
same time, still have the raw energy of our live show." Did they succeed?
While nothing can compare to the energy of a live performance, Handsome
Devil did in fact pack a little extra something into the album that does
capture a bit of the “lightning in jar“ energy of their live performance.
Co-producer Jeremy Popoff explains how they captured
that raw energy in the studio, "When there’s a sense of urgency in the
studio, a certain element of excitement is generated, and it comes across
on tape," says Jeremy. "That’s exactly what happened here."
What else can I say,“Love & Kisses
From the Underground” is a bombastic mix of guitars and vocal hooks presented
in well crafted songs that go far beyond the call of duty to bring some
respect back to the “punk-pop” scene by injecting it with a large measure
of credibility it has been missing over the past few years. Handsome Devil
is definitely a band that deserves the attention of the record buying public.
CD Info
Handsome
Devil – Love & Kisses From the Underground
Label: Dirty
Martini / RCA
Rating:
Tracks:
Tie Me Up
Makin’ Money
Everything
Tonight
Samurai
Back into Action
Sorry Charlie
I Fall Down
Hard Living Clean
Barbecue
Bring it On |
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Want More?
Visit
the band's official website for more info on the band, news, tour dates,
multimedia and more!
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