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by Keavin Wiggins
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It was about 5:30 in the morning and my phone rings. I automatically knew
who it was because there is only one person I know who is usually still
up at that hour, Hollywood promoter Happenin’ Harry. I figured he
was calling to see why I didn’t show up for the show that night at the
Cat Club (antiMUSIC sponsor’s his weekly shows at the club, so that’s where
you can usually find me on Sunday
nights). I was feeling a bit under the weather so I stayed home
that night. So I pick up the phone and Harry asks me, “Have you ever heard
of a band called Ra?”
I chuckle and answer, “Sure have, it’s
funny that you ask because we just printed a five star review of their
CD and that hardly happens." Which is true, especially over the past couple
of years. "They are great band! So why do you ask?” It turns out some of
the guys from the band showed up to Harry’s show at the Cat Club. That’s
not unusual; you never know who is going to show up from week to week.
That is part of the fun to going to Harry's shows on Sunday and Wednesday
nights.
Harry ends each Sunday night show with an all-star jam where belts out
vocals to hard rock classics with a who’s who of rock backing him up. Turns
out he blew away the guys in Ra with his monster Bon Scott vocals and they
went up to talk with him after his set.
They kicked Harry a CD and he had the same
reaction that I did to it, he love it!
Ra’s Universal/Republic debut, “From One,”
came out in October but it is only recently that things have started to
really heat up for the band. The first single “Do You Call My Name” is
racing up the radio charts and the group is winning over fans at every
stop on their tour.
Typically we’ll get an advance copy of a new CD a few weeks before it’s
release but for some reason Republic didn’t send us a copy of “From One”.
I first heard great things about the group back in December when I went
to a party and ran into an acquaintance who works rock radio promotion
for Universal. I asked her how some of their new releases were doing like
Tonic and 3 Doors Down and she had good things to report on that end but
when I asked what was the hot project at Universal at the moment without
hesitation she answered, “Ra”. At that point I hadn’t heard the disc but
had heard of the group when their publicist sent over a streaming jukebox
for us to post. (sometimes things are so crazy here, I don't get a chance
to listen even then)
I could see that she was genuinely excited
about the band as she oozed with enthusiasm, “It’s a great record!” So
my curiously was piqued but with the mountain of work on my desk I let
it slip my mind.
A few weeks later a package came in the mail from a marketing and promotion
company out of Los Angeles that a lot of labels use for their “high priority”
releases. I opened up the package and low and behold there was the Ra CD
along with 3 Doors Down’s new CD. I put the 3 Doors Down CD aside for a
moment and popped the Ra CD into my CD player and was instantly hooked!
I listened to disc practically nonstop
for about a week before I sat down to write the review that we posted on
Rocknworld last month. I thought the disc was so good that it actually
inspired a brand new series for us with an eye towards featuring reviews
of albums that earn a five star rating. The series was cleverly titled
“Five Stars.”
I have to be honest, over the past year or so I have grown increasingly
sick of hearing “new” cookiecutter nu-metal and rap rock bands. It had
gotten to the point that I actually loathed opening up packages from certain
labels, knowing that once I played the CD contained in the package I’d
hear the same old nu-metal tricks without any variation.
To say the nu-metal trend has grown long
in the tooth is an understatement. We are at the same point now with nu-metal
that we were with glam when we reached the fourth level of artists like
Pretty Boy Floyd. You know bands that brought absolutely no originality
to the genre and seemed content on cashing in on every single element that
brought the dominate bands in that trend success.
Most music trends have a five-year run before being replaced with something
new. The problem the music industry is facing at the moment is nu-metal,
rap-rock, teen pop and punk-pop are all running out of steam and there
isn’t anything to replace them with. Many had high hopes for the raw rock
revival bands like The Strokes and The White Stripes but the buzz and excitement
over those bands has not yet translated into significant record sales.
A new band may come out next week with the “raw rock” sound and take the
genre to the top but that hasn’t happened quite yet. It doesn't look like
it is likely to either.
While the dying of a trend is bad news
for record companies, it’s great news for fans since it forces the labels
to break outside of the box and look for bands to sign that have something
different to offer. That seems to be the case with Ra.
The natural reaction at first might be to lump Ra in with nu-metal but
the label doesn’t really fit. It’s true that musically Ra embraces some
elements of nu-metal but at the same time they go far beyond the confines
of the genre by branching out and including elements from other genres
into their music and in the process are taking modern metal into a new
direction! I touched upon that in my original review where I wrote, “RA
goes a long way to restore my hope for metal in the future. It’s
not the metal I grew up with but RA does seem like the natural evolution
of the genre when you take Alternative rock’s influence into account. So
in other words they seem to take some of the best elements of metal, prog
and modern rock and create their own sound that showcases some great riffing,
some amazing musicianship and arrangements with some of the strongest lead
vocals heard since before Cornel was raging against the machine.”
We need to look a little deeper than that to truely find the formula to
Ra’s success. They start with rock solid songwriting that includes all
the necessary elements, especially the hooks. The music has a lot of underlying
dynamics that you find lacking in most nu-metal bands. Yes, it’s a little
progressive but not to the point of being self-indulgent and losing it’s
commercial appeal. In my original review I pointed out that “the music
goes far beyond the simplistic nu-metal variety we have heard over the
past few years and they have more in common with Faith No More than with
Korn. At times they seem to bridge the gap between Kings-X and Tool. Not
to say they are derivative of either group. RA is far more progressive
than the nu-metal pack but also have a keen ear for writing hooks that
are undeniably addictive.“
I personally feel that the magic ingredient
that puts the music over the top is their rich harmonies. Sahaj is a gifted
vocalist who is compelling enough on his own but when you combine his voice
with bassist Sean Corcoran’s you create some of the richest harmonies we
have heard in years. Let’s not mince words here, harmonies have always
been the secret weapon used in rock to turn a catchy song into an
addictive piece of ear candy. Just ask the Beatles.
Ra takes those elements; the dynamic music,
the rich harmonies and the hooks and put them together to create a potent
combination that can’t be ignored.
Sahaj is the principle songwriter in the group and his musical vision has
produced music that is heavy yet extremely melodic. Being that the band
is named after the Egyptian sun god, it’s only fitting that some of the
songs contain middle eastern musical elements and that further helps set
Ra aside from other groups and makes them that more appealing because of
the excitement of hearing something new.
When composing the music Sahaj didn’t set
out to reinvent the wheel, instead he just wanted to give it a new spin.
"Our music can be played alongside that of any contemporary band, and it
sounds like all of them and none of them," says Sahaj. "That's the key.
I tried to make the music sound familiar yet different."
But just how different did Sahaj want to
be? "I wanted to hear Metallica with the Police's Andy Summers playing
guitar and Sting singing. It bothered me that there wasn't a band like
that, so I formed one," he jokes in the band’s official bio.
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Copyright 2003 - Iconoclast
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