The problem with most CD reviews is you only
get the opinion of the one critic doing the review. So we thought it might
be fun to try something new here by giving the exact same CD to two different
critics (or more) and see what they each come up with and just how much
difference a single critic's opinion can make.
Note: due to the nature of this series, the reviews
may tend to be more in the first person than you are used to with music
criticism.
Korn - See You on the Other Side
First up is JoFo, who gave it a rating
of
Honestly, Head leaving the band because
he became a Christian just never made a lick of sense to me. I don't know
of a single Bible verse that orders new converts to quit their jobs &
instead occupy themselves with issuing silly press releases & jaunting
around the world snapping up orphans as fast as they go on sale. However,
after listening to this CD, I now realize the real reason he left the band.
It had nothing to do with his new religion, but instead, I suspect he didn't
want to be dragged down in the whirlpool of the sinking wreckage that was
Korn. After months of pictures spamming message boards of Snoop holding
a Korn guitar ("What the heck is this thing & which way does it go?")
& the acrimonious Head split & the head splitting whining about
it from both sides, the Korn Publicity Machine successfully cranked up
interest in their new sound. Sadly, buzz generated from hype rarely turns
out to be anything noteworthy, or of any substance, as I was quickly reminded
after one ok song & 18 lame to mediocre ones. Don'tcha just hate that
when you buy a CD & this is the outcome? Don'tcha also just hate when
you are cruising along, and all of the sudden, traffic comes to a standstill?
Finally, when you manage to creep up far enough to see the car crash, your
rubbernecking curiosity pays off big, like when there are bodies &
blood & weeping relatives. Sometimes. Far more often & annoying
is when the source of the bottleneck turns out to be someone with a flat
tire or too much junk piled too high in their rickety pickup truck necessitating
a 30 MPH rate of speed. The fun of screaming past hurling epithets quickly
fades as you realize with annoyance that now 85 minutes of your life are
gone, all because of some idiot hauling his year's supply of scrap metal
to the junk dealer. This album can be charitably described as kinda like
that.
On this CD, they attempt to be a 'crossover'
band. I think they are trying to either become big dance music stars or
adult contemporary artists, it was hard to tell. A coupla songs on this
sounded like Robert Plant solo project rejects. Rife on this release are
borrowed riffs from old Metallica, old Korn & even recycled riffs from
songs on this CD! I guess their few years of taking it easy & only
applying themselves to generating interest on the internet has taken their
toll. They sound fat & lazy & disinterested, something Metallica
can relate to, as they excitedly welcome Korn to join them in their lonely
mountain retreat of irrelevance.
Jon D. alternates between singing songs
about how his life still sucks, songs about how everybody still hates &
misunderstands him, songs about how he still never gets anything he likes
in life & songs about how his parents still suck. Nice to know that
success hasn't changed him. I guess he & Michael Jackson alone carry
the Peter Pan virus, resulting in a failure to age or mature. He also includes
an anti- politics song on here, which actually managed to rival the entire
Korn library for lyrical stupidity Rather than this song bolstering their
claim that they are trendy hipsters leading the pack of impressionable
little dance kids, they come across as far too craven to express an opinion
either way. In spite of all the sameness on here, there is a major difference
on this album: bagpipes have a much more prominent role. Bagpipes. That
should be a joke, but no, JD is intent upon showing off his 'skill' on
the most comical instrument ever invented. This would have been hysterically
laughable if I wasn't already so annoyed by the dragging pace of most of
the songs on this release.
I think Korn has bought into the unofficial
military motto 'the bigger the screw up, the shinier the medal'. In keeping
with this absurd reality, they take the worst, slowest, lamest dance music
fodder on this entire CD & redo it twice on the bonus CD. All I can
say about the various "Twisted Transistor "versions is 1) Rob Zombie does
this type of music better, don't bother, Korn; & 2) am I alone in wishing
Dante Ross would quit remixing stuff & just go away & get a different
line of work? That guy can turn even decent songs into something no one
should listen to. At least this song didn't start out good, or I'd be furious.
If Korn wants to trick people into buying this CD, thinking it sounds kinda
like old Korn, they should float "Eaten up Inside" on various Clear Channel
stations, that'll fool people into thinking Korn has survived the Head
defection & still sounds ok. But Korn apparently is not interested
in maintaining their old fan base, or else they would have done more than
include a token song on here that's mildly reminiscent of the old days
& stuffed over an hour of junk into their rickety little band to waste
your life on.
Even if all the mean titled songs on here
are pointed references to their former BFF ("Liar", "Hypocrites", etc),
the internet battle was far more entertaining & less sad & pathetic
as far as car wrecks go.
Next up is antiGUY, who gave it a rating
of
Most people are shocked to learn that I've
always liked Korn. Even before they were known as Korn, a buddy of mine
turned me on to a LAPD demo. They would later lead the charge of nu-metal
and as originators stood ahead of the pack that tried so hard to copy them.
I never jumped on the backlash bandwagon, I like what I like and make no
apologies for it and while Korn were never among my favorite groups I won't
switch them off if they come on and I'll occasionally pop in a CD and get
my fill. That being said, I'm torn about this CD because it marks a pretty
drastic change for the band and while some of it works well, other parts
fail miserably. But I will hand it to the band for trying to evolve musically
instead of resting on their laurels and rehashing their last few albums.
The big problem here is they somewhat rehash songs within this disc and
the evolution seems to be more about radio airplay then growing as musicians
and songwriters.
The strengths: Headcase is not really missed;
the riffing here is pretty solid, although not earth shattering. They do
build some good grooves up but it gets somewhat repetitive as the disc
moves along.
The minus: For the most part Jonathan delivers
big vocals that grab your attention but with the lack of solid hooks, that
attention isn't held for long. The big irony there is that the band went
out of their way for the "hits" by co-writing with the overrated "matrix"
team. It was a wasted effort as the songwriting was much stronger on Take
a Look in the Mirror. This isn't exactly Metallica Load territory
but the change towards the mainstream is pretty close.
I give Korn credit for trying to take a
new direction. Although I probably would have been happier if they had
picked up where Take a Look in the Mirror left off, this is a decent
effort for the band and may open some doors for them but on the other hand
may alienate some older fans.
A few words about the deluxe edition. I
have to hand it to Virgin on the packaging, the Alice in Wonderland
meets Hellraiser artwork is an attention grabber and the foldout
sleeve is a nice touch. I thought from looking at this that it might be
a concept album, but sadly I couldn't find a concept besides Korn trying
to prove they can take it to "another" level. The bonus disc contains some
cool videos and I'm biased here as I fricken hate "remixes" with a passion,
so the semi-disco treatment of "Twisted Translator" didn't translate for
me. Maybe they owed Dante Ross money? That's the only excuse I could figure
out for putting that on here. The live video version of the song comes
off better but it's still one of the weakest Korn tracks to date. "Hypocrites"
live in Moscow is much better and ends the bonus on a high note. If you
ignore the banal lyrics, it's actually a pretty solid song.
So there you have it, the other side of
Korn. Is it a better side? We'll have to wait and see the general consensus
on that but for me; I would have rather seen a slightly evolved version
of the original side of Korn. My advice to Jonathan and the guys; drop
Avril's songwriters next time and give us what we know you are capable
of.
Links
Korn - See You on the Other Side
Label:Virgin
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