with
Bars
by
Mark Hensch
..
The recently formed group Bars is the result
of some bad luck and interesting circumstance. Begun in late 2002, the
band was a mix of several prominent band members from various acts, most
notable among them Give Up The Ghost and The Hope Conspiracy. The outfit
was formed to revive the (in the band member's opinions) classic style
of hardcore punk from the 80's. Things took an interesting turn for the
members from Give Up The Ghost when that outfit recently collapsed and
ceased to exist. They have some solace however as GUTG's former label,
Equal Vision records, signed Bars and helped put out the band's debut,
Introducing...
The Bars goal of resurrecting classic hardcore
is largely met. The vocals are constantly screamed by frontman Kevin Baker,
yet oddly clear and concise. In modern terms, I can only compare them to
bands like say Red Tape. Black Flag is probably another prominent influence,
and it is also interesting to note there is a mild alternative rock undertone
to this disc.
Intro track "Bright Lights for Demise"
sparks off with the bouncy yet muddy punk riffs that will become trademark
of Bars most likely; this odd "refried southern" rock/punk combo is oddly
interesting, and when the song slaps you upside the ears with a weird little
solo you know that there is something interesting here. "Like It Never
Was" has an even punkier feel to it if possible, and things are barely
allowed to settle down before "You are my Target Audience," a highlight
track to be sure, rocks in with some angry punk. "Up to my Neck" rolls
in with some jamming riffs and rolling bass, and "Toecutter" pounds in
with slowly growing guitars that are soon hit into overdrive for another
great track.
"The Frequencies are F*cked" is a feedback
laden rocker that shows some interesting vocals from Baker. "Type The Love
Letter" is a swinging uppercut of a song that will knock you silly before
the good 'ole "Oh-oh-ohhhh" choruses of yesteryear. "I was Asleep by Now"
is a quick and sadly complacent rocker, but the genius "Too Far Down" suprises
everybody with an insanely laid-back, dirty, and muddy little ballad owning
very little of its musical background to punk or hardcore. "This is It"
sums things up nicely with an explosive bang to a short, to-the-point,
full-throttle album.
This is an album that won't change anyone's
opinions on what hardcore should or should not sound like, and beyond that,
it is shorter then my attention span during an Avril album, which in my
humble opinion isn't a plus. A good debut for a fairly new band, but the
real trick is making a longer album next time that is still as good. Purists
of 80's core will probably lambast me in this point because so many of
the old classic hardcore acts bashed faces with fantastically quick albums,
but at a miniscule 27 minutes long, I could be listening to one Meshuggah
song that is every bit as good as this entire CD. Don't get me wrong, I
love this stuff but it is only for people who can appreciate it wholly
and wouldn't mind spending ten bucks on what will probably be an oddity
or novelty album, a sort of loss flashback to previously extinct genres.
If you aren't one of those people, this
CD isn't for you. If you're like me, and you are, this will make a good
CD to listen to as you are driving to someplace not that far away; this
CD's credit is that it makes you hear the Bars encasing our lives rather
then seeing them and feeling trapped. It other words, its carefree and
rocking music perfect for a day with everything going just right, and if
you already like classic hardcore to boot.
CD Info and Links
Bars - Introducing
Label: Equal
Vision
Rating:
Tracks:
1. Bright Lights for Demise
2. Like it Never Was
3. You are my Target Audience
4. Up to My Neck
5. Toecutter
6. The Frequencies are F*cked
7. Type the Love Letter
8. I was Asleep by Now
9. Too Far Down
10. This is It |
Listen
to Samples and Purchase This CD online
|
CD Info and Links
Listen
to Samples and Purchase This CD online
Visit
the official website for more on the band and their new CD!
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Fans Speak
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